a letter to Sharon Olds
Dear Sharon Olds,
I’ve been teaching and reading your poetry since I was an undergraduate at the State University of New York at Binghamton. Only glanced upon in an anthology of famous Americans, I noticed your style and thought now this is a writer...a poet. Soon after, I came across a poem in the New Yorker which I ripped out. It may be the very first poem I actually tore from the passion of words: I needed it in one of my journals. I remember that poem was about a daughter at an airport and was dedicated, I believe, to your father.
I’m writing today because I’ve read online, in several places, the letter you wrote Laura Bush. Blessed are the opportunities for all of us, as Americans, to make such choices. We have political opportunities in which we can rally forces, motivate masses and initiate anger. Every American, educated or not, has the chance to make their place in this world and from their education and drive, should make a stand with how they feel. I’m pleased that you could tap into the miracle of words to share your concerns.
In your biographies across America, it is written you were raised under San Franciscan Calvinists, and schooled at brilliant educational facilities such as Standford and Columbia Unviersity. Currently, you’re teaching at New York State University, and your love of the written word has brought you accolades and accomplishments I’m proud of. Your interaction with some of America’s brightest and best, not to mention, economically comfortable, has allowed your mind to springboard into territories I can only imagine. You are an American, and you’ve tapped into your opportunities to live a successful life in poetry, thought, story and fiction. It is a talent and I’m still in awe.
I do wonder, however, if you could name an Iraqi woman who has had the same opportunities as you. In your letter to Laura Bush, you noted you lack the ability to support the American involvement in Iraq and the current political administration. I’m curious about your justification. It seems to me that in America, a great writer such as yourself has been allowed to tap into a great educational experience to do amazing things for the world and the writer in me wonders why we don’t read more about the Iraqi woman’s experience. Perhaps it’s because of the life described in “Reading Lolita in Tehran,” -- which is about Iran and not Iraq -- where women are kept in veils and not educated. Or maybe it is because there’s censorship that doesn’t allow for freedom of speech nor female voice. I don’t know. I’m an amateur in my thinking, but I thought perhaps you had an answer.
It sort of seems to me that this great woman who I admire as a writer is, indeed, putting herself in a camp very similar to the one she criticizes. I don’t like war. I’m a middle child, in fact, who likes to iron out all the wrinkles before me. Yet, from history I’ve seen that war has always brought with it the literary traditions of the world. It takes a culture who has won to have the power to write its story. In America, the poetry displayed at the Holocaust museum, and the phenomenal diaspora of immigrant writing that has flourished in our liberal, democratic nation has taught me amazing things about oppression elsewhere: poverty, hardship and what it looks like to live in a world without education and under strict, oppressive rule. Currently, I work with fifteen Sudanese refugees as they try to make their way in our country: gaining an education, working two to three jobs and sending money to their loved ones who live in fear of another Islamic jihad. So, I guess what I’m wondering is how can you be an advocate for the written word, but remain in the esoteric circle of accomplished American writers by denying the truth that the written word is a privilege? You have a phenomenal education which allowed you much opportunity in this world and knowing how the academic game is played, how much of your true soul and thinking have you had to sell in order to get to a point where you can’t accept a national recognition to speak for our country because you don’t want democratic values brought to other lands? Why do you want educated, middle class, caucasion woman of American to be succestul with words, bu fight so hard against allowing this opportunity to find its way into third world countries and nations of oppression?
The fact that you are a phenomenal writer is evident by all the work I’ve ever read. I admire you and think, “wow, this is what a creative mind and a great imagination can accomplish.” I have trouble, however, with the disconnect to see beyond your world to the benefits our American Democracy can have elsewhere. I have yet to find a story where one walks up, knocks on a door, and brings about social change out of kindness and love. As sick, disgusting and repulsive as it is, war and physical conflict are the only things that have worked upon on pig-like humanity. I’m trying to draw a parallel to World War II and think how a writer, like you, could possibly stand up for not helping the fight against Nazis. It doesn’t make sense to me and with the knowledge that has transcended that period of time, how one would ever work to stop that evil. Yet, you’re doing this, proudly and for much fame.
I don’t get it.
Bryan
I’ve been teaching and reading your poetry since I was an undergraduate at the State University of New York at Binghamton. Only glanced upon in an anthology of famous Americans, I noticed your style and thought now this is a writer...a poet. Soon after, I came across a poem in the New Yorker which I ripped out. It may be the very first poem I actually tore from the passion of words: I needed it in one of my journals. I remember that poem was about a daughter at an airport and was dedicated, I believe, to your father.
I’m writing today because I’ve read online, in several places, the letter you wrote Laura Bush. Blessed are the opportunities for all of us, as Americans, to make such choices. We have political opportunities in which we can rally forces, motivate masses and initiate anger. Every American, educated or not, has the chance to make their place in this world and from their education and drive, should make a stand with how they feel. I’m pleased that you could tap into the miracle of words to share your concerns.
In your biographies across America, it is written you were raised under San Franciscan Calvinists, and schooled at brilliant educational facilities such as Standford and Columbia Unviersity. Currently, you’re teaching at New York State University, and your love of the written word has brought you accolades and accomplishments I’m proud of. Your interaction with some of America’s brightest and best, not to mention, economically comfortable, has allowed your mind to springboard into territories I can only imagine. You are an American, and you’ve tapped into your opportunities to live a successful life in poetry, thought, story and fiction. It is a talent and I’m still in awe.
I do wonder, however, if you could name an Iraqi woman who has had the same opportunities as you. In your letter to Laura Bush, you noted you lack the ability to support the American involvement in Iraq and the current political administration. I’m curious about your justification. It seems to me that in America, a great writer such as yourself has been allowed to tap into a great educational experience to do amazing things for the world and the writer in me wonders why we don’t read more about the Iraqi woman’s experience. Perhaps it’s because of the life described in “Reading Lolita in Tehran,” -- which is about Iran and not Iraq -- where women are kept in veils and not educated. Or maybe it is because there’s censorship that doesn’t allow for freedom of speech nor female voice. I don’t know. I’m an amateur in my thinking, but I thought perhaps you had an answer.
It sort of seems to me that this great woman who I admire as a writer is, indeed, putting herself in a camp very similar to the one she criticizes. I don’t like war. I’m a middle child, in fact, who likes to iron out all the wrinkles before me. Yet, from history I’ve seen that war has always brought with it the literary traditions of the world. It takes a culture who has won to have the power to write its story. In America, the poetry displayed at the Holocaust museum, and the phenomenal diaspora of immigrant writing that has flourished in our liberal, democratic nation has taught me amazing things about oppression elsewhere: poverty, hardship and what it looks like to live in a world without education and under strict, oppressive rule. Currently, I work with fifteen Sudanese refugees as they try to make their way in our country: gaining an education, working two to three jobs and sending money to their loved ones who live in fear of another Islamic jihad. So, I guess what I’m wondering is how can you be an advocate for the written word, but remain in the esoteric circle of accomplished American writers by denying the truth that the written word is a privilege? You have a phenomenal education which allowed you much opportunity in this world and knowing how the academic game is played, how much of your true soul and thinking have you had to sell in order to get to a point where you can’t accept a national recognition to speak for our country because you don’t want democratic values brought to other lands? Why do you want educated, middle class, caucasion woman of American to be succestul with words, bu fight so hard against allowing this opportunity to find its way into third world countries and nations of oppression?
The fact that you are a phenomenal writer is evident by all the work I’ve ever read. I admire you and think, “wow, this is what a creative mind and a great imagination can accomplish.” I have trouble, however, with the disconnect to see beyond your world to the benefits our American Democracy can have elsewhere. I have yet to find a story where one walks up, knocks on a door, and brings about social change out of kindness and love. As sick, disgusting and repulsive as it is, war and physical conflict are the only things that have worked upon on pig-like humanity. I’m trying to draw a parallel to World War II and think how a writer, like you, could possibly stand up for not helping the fight against Nazis. It doesn’t make sense to me and with the knowledge that has transcended that period of time, how one would ever work to stop that evil. Yet, you’re doing this, proudly and for much fame.
I don’t get it.
Bryan



